Damjan Cvetanovski

Hades (Women of the Underworld), Storyteller (Tales of Forgotten Ancestors), Bassanio (The Merchant of Venice), Don Juan (Don Juan), Vito Babaito (The Parrot Historico), Johannes (Baal), Konstantin Gavrilovich Trepliov (The Seagull), Dena (Pillow Man), Sam (Unfit for Work), Lekidame (Pantaglez)
Graduated from the "Academy of Arts" in Novi Sad in the class of Prof. Nikita Milivojević, in 2016.

Damjan Cvetanovski

31 May, 1994, Skopje
Academy of Arts, Novi Sad
2016 - Present

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Graduated from the "Academy of Arts" in Novi Sad in the class of Prof. Nikita Milivojević, in 2016.

Селективна театрографија: Хад (Жени од подземјето, 2016), Раскажувач (Приказни на заборавените предци, 2016), Басанио (Венецијанскиот трговец, 2017), Дон Жуан (Дон Жуан, 2017), Вито Бабаито (Папагалот Историко, 2017), Јоханес (Баал, 2017), Константин Гаврилович Трепљов (Галеб, 2018), Бељаев/Матвеј (Месец дена на село, 2018), Таткото (Човек перница, 2019), Сем (Несоодветно за на работа, 2019), Лекидам (Пантаглез, 2019).

News

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    Gideon's Knot is a powerful and disturbing story about guilt, responsibility, grief, and the complex relationship between communication and the state of the educational system...

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  • Princess dramas

    The cycle of post-dramatic texts "Princess Dramas" with the subtitle "Death and the Maiden" was written by Nobel laureate Elfriede Jelinek at the turn of the century and completed in...

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  • The life of provincial playboys

    "The Life of Provincial Playboys after World War II (or We Love What's Elsewhere, We Don't Give What's Ours)" is a text from the early...

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