This is a play about love. Set on stage through its contrast – war – in the inner world (home) and the outer world (fatherland).
A universal theme and play, as theater should be – universal… which would be of great interest to any part of the world if it were staged.
War, violence, aggression, death everywhere – these are just normal everyday things that the two characters on the stage see, disturbed by the military conflicts throughout their lives, which have brought them to delirium. To a stage of disorder.
The style of hyperrealism dominates the scene and the autistic team presents the horrific situations arising from the war on stage in the most realistic and direct way.
Many contrasts of love are presented – and it does not exist anywhere. The word love is never mentioned in the work, nor is it played. Therefore, the play has a content that is very sharply warning – about the situation in which this married couple finds themselves. Where war is going crazy, along with all its victims in it.
The "fun" part is omnipresent throughout the play, even though it deals with a dark, gruesome theme. The humor is presented very skillfully, in an absurd way by the author, who skillfully plays with the writing style, keeping in mind the stage the characters are in. But the humor is realistic and light, not at all violent – like war, which is everywhere.
This play, through the production of the theater, has the task of touring multiple theaters around the world, with each performance actually taking place in a different theater. It follows that this play is a mobile form of absolute traveling theater that finds its home throughout the world.
Directed by: Gjorgji Rizeski
Roles:
Jana Veljanovska
Nikola Milosevski
Production: Vortex Theater
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